1017

Outras trece cancións bonitas

benxamín otero y germán díaz


cards
Tecnología de paypal

Benxamín Otero_
oboe, english horn and programmable music box

Germán Díaz_
hurdy-gurdy, programmable music box, barrel organ, musical
saw, bendhir, riq, krakebs, tambourine and voice

Featuring_


Vidya Shah_
voice (01, 06, 08, 13)

Noemi Basanta_
voice (06, 07) and tambourine (03, 07)

Roberto Rodríguez_
voice (en 07) and tambourine (en 03, 07)

Pablo Pascual_
bass clarinet (03) and half-long border pipes (04)

recorded live by J. Trincado on 22 and 23 February 2025
at the chapel of Santa María, Lugo (Spain).
mixed and mastered at Savik Sound by J. Trincado.

Acknowledgements_
Germán Arias, CENTRAD, Deputación Provincial de Lugo,
Celso Fernández, Verónica Moar and Casa de la India (Valladolid)

text correction_Noemi Basanta

© photography_Benxamín Otero
© gráphic art_fernando fuentes para esta nube 1017
© Germán Díaz & Benxamín Otero · june 2025

Dil
Case un valse
Muiñeiras de Florencio
Suite de Polskas
Água e vinho
Alalá do Deza
Muiñeira de Ons
Kamala
Ruedas de Medina de Pomar
Tariqa
Canto de Romería
Los cacahuetes del España
Mina nai non quere
Por que non hei de cantare
La chica del 17
Tracks Order –on the vynil record– :
SIDE A
001 Dil - G. Díaz
002 Case un valse - B. Otero
003 Miña nai non quere - Tradicional / G. Díaz
004 Água e vinho - Egberto Gismonti
005 Canto de Romería - Tradicional / arr. G. Díaz, B. Otero
006 Ruedas de Medina de Pomar - Tradicional / G. Díaz
SIDE B
001 Muiñeira de Ons - Tradicional / G. Díaz
002 Tariqa - G. Díaz
003 Alalá do Deza - Tradicional / G. Díaz
004 Los cacahuetes del España - G. Díaz
005 Kamala - G. Díaz
006 Por que non hei de cantar-e? - Tradicional / B. Otero
007 La chica del 17 - Durán-Vila, Boixader e Azagra

Fotos Grabación Germán Díaz & Benxamín Otero por Martín BlanesFotos Grabación Germán Díaz & Benxamín Otero por Martín BlanesFotos Grabación Germán Díaz & Benxamín Otero por Martín BlanesFotos Grabación Germán Díaz & Benxamín Otero por Martín BlanesFotos Grabación Germán Díaz & Benxamín Otero por Martín BlanesFotos Grabación Germán Díaz & Benxamín Otero por Martín BlanesFotos Grabación Germán Díaz & Benxamín Otero por Martín BlanesFotos Grabación Germán Díaz & Benxamín Otero por Martín BlanesFotos Grabación Germán Díaz & Benxamín Otero por Martín BlanesFotos Grabación Germán Díaz & Benxamín Otero por Martín BlanesFotos Grabación Germán Díaz & Benxamín Otero por Martín Blanes


The world is round, but as that joke goes, someone repeats to convince another guy that the world is round, is round, is round, is round… until the guy, that protested that the world arguably had a tangerine shape, surrenders to the insistence and concedes that the world is round, and in that moment the former tells him that it’s round, but still, not so round.

Some musicians work with knitting needles, and others, like Germán and Benxamín, with crochet hooks, which have a fold at the tip that grasps the thread from the other side and pulls it back. The needle holes out the world’s potato, it enters by Lalín or by Arneiro and leaves by India, by Os vilares, by the Faroe Islands, by Ons Island, by Rio de Janeiro, by Burgos, by Lugo, by Madrid, by Compostela, and gets back with the other side’s thread through the very earth’s insides to take it outside by Arneiro or by Lalín, that are belly’s navels and are face’s eyes.

The physical landscape is a set composed of remoteness, the solid weight of space, atmospheric field, and inspired musical memory. Pe rhaps you cannot make music without these coordinates.

Musical taste is landscape taste, the more uprooted the less music is, because it makes us less of this world. Winds are the landscape’s sexiest part, the twelve winds: Aparctias, Boreas, Cecias, Apeliotes, Euro, Euronoto, Noto, Libonoto, Lipo, Zephyr, Argestes and Thracian. But the tracks of this new record are fifteen, and the guys are lying on purpose, saying that they are thirteen. And that movement between numbers and the wind, music’s hand on the ear’s skin, that perfect little box that plants treasures in the brain, that old people fonetize blain.

Benxamín and Germán’s crochet cloth has the form of a star, of a waterdrop that breaks against the floor and spreads out that which it formerly gathered, straight light movements in the ball’s curvature, tangerine, world’s
potato, because the world is, in their music: humour, freshness, heat, meat and melancholy.

Yours sincerely
2 June 2025
Celso Fernández Sanmartín